I half-create the films I see (to paraphrase Wordsworth), and, for me, the film on one level is reminiscent of Greek tragedy, where characters point outside themselves and hurl accusations as a subterfuge, to keep from looking too deeply within. At some point in the film, as in Greek tragedy, the theme is transferred from the level of individuals to the level of nations. When the written indictment of Bush et al. arrives at the end, it seems the logical outgrowth of all that has preceded it. Or to put it another way: that gruesome decapitation is convincingly laid at Bush's feet.
Who played Anna? Where in Italy was the film shot?
Review by Dennis Grunes www.grunes.wordpress.com
